If yesterday was a good day, today was a
great day...
I'll start the post with all of the requirements for the challenge first, and those of you who care to hear more about my personal life journey can continue reading at the bottom. :)
Daily Practice
1 hour
I started the morning off with a two-hour rehearsal for our choral piece in the showcase this Sunday. But my focused practice came later when I had my first private lesson with Kurt. We focused on my "cry of the baby" to help me mix in more of my middle voice with minimal effort. It was EXTREMELY helpful, and I was amazed at how different my voice sounded.
Healthy Meals 6,7, and 8
I'm a creature of habit... and once a week grocery trips... so my meals are exactly the same as yesterday. They will probably continue to be as such until next week. Let me know when you get bored.
Breakfast- cereal
Lunch- salad
Dinner- sandwich
------
So as I stated above, today was my first private lesson with Kurt Robinson-- the organizer of this 30-Day Full-Voice Challenge. I've taken group classes from him for several months, but I've been afraid of going to his Performance class or taking private lessons from him because I didn't think I was ready. Here's a blurb from the bio on his website:
Kurt’s clientele have enjoyed thriving performances in some of the hottest Broadway productions and national tours, including Billy Elliot, In the Heights, Hair, Spring Awakening, The Color Purple, Hairspray, Wicked, The Lion King, Tarzan, The Little Mermaid, Phantom of the Opera, Dream Girls, Guys and Dolls, West Side Story, A Chorus Line, Producers, Chicago, Spamalot, American Idiot, and the Radio City Rockettes. He has coached recording artists for the Columbia Artists, Jive, Def Jam, Epic, Atlantic, and Nickelodeon labels.
I hope this begins to paint the picture of why I was a
little nervous about singing in front of him. Nevertheless, in the Challenge's spirit of facing my fears, I signed up for my lesson with Kurt in hopes of learning from one of the best. In preparation for our first meeting, I ran all over town trying to print and purchase sheet music for various songs so that we had a variety to choose from. I didn't want to get there and have him tell me that none of the songs I had were really appropriate for my voice.
After walking me through some vocal warm ups for about 30 minutes, he asked me what music I brought. I told him that I really wanted to work on "Landslide" by the Dixie Chicks, but I could only find the Fleetwood Mac version. I told him that I also brought "Fallen for You" by Colbie Caillet, and that long, long,
long term I really hoped to one day work on the Glee version of "Defying Gravity". We tinkered with "Landslide" for a few moments, and he told me what key I could transpose the music to so that it would sound like the Dixie Chick version. He had me sing through "Fallen for You" once, and then he said: "This is too easy for you. Bring out the 'Defying Gravity'!"
Let's just say that for a brief second there was a mini 4th of July fireworks display inside my chest. I went to my bag and pulled out my Glee music book-- I tried to use those few seconds to take deep breaths and relax. And as he played the intro, I realized this is it, all or nothing... I'm just going to go for it. And I went for it. I sang that song like I had done so many times before-- in my bedroom when I was positive none of my roommates were home, in my car with the windows rolled up tight, in the shower when the water and tile acoustics make everyone sound like American Idol-- I went for it. When I finished, I waited for the casual dismissal, the "yeaaaa... let's hold on to that one..." or the "we can keep coming back to that one when we want to push ourselves..." But that's not what he said.
Instead he said, "You are
definitely ready for this piece." And although it's been 9 months since I've moved to New York City, my journey started today, in that moment. I've been called out on it so many times before-- I am my own worst enemy, and my mind is the one thing that's holding me back. I'd heard it from Goheen, "Trust yourself, Rachael." I'd heard it from Bettina, "Just go for it." I'd heard it from Sheila, "Get out of your own way." I'd heard it from my other teachers, and my mom, and my friends, and complete strangers. I've heard it since I was 9 years old starting my very first dance classes at Miss Darlette's studio. I've heard it my entire life. So it was nothing new when Kurt told me, "You have the technique and you're doing everything right, you just need to build your confidence." But for some reason, today was my tipping point, and today, I chose to listen.
Today I decided to accept the fact that I'm an artist. Being an artist isn't about trying to outdo the person next to you, or about being the best, or becoming a star. It isn't about the competition at all-- quite the contrary. You become an 'artist' when you recognize that the comparisons no longer matter, and you do what you do because something comes alive inside of you when you do it. Artists dedicate themselves to developing their craft, and they get as much of a thrill receiving a standing ovation at a sold out theater as they do in the privacy of their own studio when they master a new technique in their practice. Rachael the Artist recognizes that there will always be room to be better, but that truth is no longer viewed as a defeat; instead it's viewed as a reward-- part of the ongoing commitment to growth and creativity that artists accept with their title. I knew 'something changed within me' when I realized that for the first time in my life, I am no longer afraid of failing... I'm afraid of not trying.
"I'm through accepting limits 'cause someone says they're so. Some things I cannot change, but 'til I try, I'll never know."
-Defying Gravity
